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Npomucne LemercierLouis Jean Npomucne Lemercier (April 20, 1771 - June 7, 1840), was a French poet and dramatist. He was born in Paris. His father had been intendant successively to the duc de Penthivre, the comte de Toulouse and the unfortunate princesse de Lamballe, who was the boy's godmother. Lemercier was a prodigy; before he was sixteen his tragedy of Mlagre was produced at the Thtre Franais. Clarisse Harlowe (1792) provoked the criticism that the author was not "assez vou pour peindre les rouerics." Le Tartufe rvolutionnaire a parody full of bold political allusions, was suppressed after the fifth performance. In 1795 Lemercier's masterpiece Agamemnon, called by Charles Lafitte the last great antique tragedy in French literature, was produced. It was a great success, but was violently attacked later by Geoffroy who stigmatized it as a bad caricature of Crbillon. Les quatre mtamorphoses (1799) was written to prove that the most indecent subjects might be treated without offence. The Pinto (1800) was the result of a wager that no further dramatic innovations were possible after the comedies of Pierre Beaumarchais. It is a historical comedy on the subject of the Portuguese revolution of 1640. This play was construed as casting reflections on the first consul, who had hitherto bean a firm friend of Lemercier. His extreme freedom of speech finally offended Napoleon, and the quarrel proved disastrous to Lemercier's fortune for the time. None of his subsequent work fulfilled the expectations raised by Agamemnon, with the exception perhaps of Frdgonde et Brunehaut (1821). In 1810 he was elected to the Acadmie Franaise, where he consistently opposed the romanticists, refusing to vote for Victor Hugo. In spite of this, he has some pretensions to be considered the earliest of the romantic school. His Christophe Colomb (1809), advertised on the play-bill as a comdie shakesprienne (sic), represented the interior of a ship, and showed no respect for the unities. Its numerous innovations provoked such violent disturbances in the audience that one person was killed and future representations had to be guarded by the police. Lemercier wrote four long and ambitious epic poems: Homre, Alexandre (1801), L'Atlantiade ou la thogonie newtonienne (1812) and Mose (1823), as well as an extraordinary Panhypocrisiade (1819-1832), a distinctly romantic production in twenty cantos, which has the sub-title Spectacle infernale du XVIe sicle. In it 16th-century history, with Charles V and Francis I as principal personages, is played out on an imaginary stage by demons in the intervals of their sufferings. Lemercier died in Paris. Reference Lemercier, Npomucne Lemercier, Npomucne Lemercier, Npomucne Lemercier, Npomucne
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