Grammy Awards Of 1964

Award winners:

• Record of the Year
• Henry Mancini for "Days of Wine and Roses"

• Album of the Year (other than classical)
• Barbra Streisand for The Barbra Streisand Album

• Song of the Year
• Henry Mancini & Johnny Mercer (songwriters) for "Days of Wine and Roses" performed by Henry Mancini

• Best New Artist
• Ward Swingle (The Swingle Singers)

Children's

• Best Recording for Children
• Leonard Bernstein (conductor) for Bernstein Conducts for Young People performed by the New York Philharmonic

Classical

• Best Classical Performance - Orchestra
• Erich Leinsdorf (conductor) & the Boston Symphony Orchestra for Bartk: Concerto for Orchestra
• Best Classical Performance - Vocal Soloist (with or without orchestra)
• Skitch Henderson (conductor), Leontyne Price & the RCA Orchestra for Great Scenes From Gershwin's Porgy and Bess
• Best Opera Recording
• Erich Leinsdorf (conductor), Rosalind Elias, Leontyne Price, Richard Tucker & the RCA Italiana Opera Orchestra for Puccini: Madama Butterfly
• Best Classical Performance - Choral (other than opera)
• Benjamin Britten (conductor), Edward Chapman, David Willcocks (choir directors), the Bach Choir, Highgate School Choir & the London Symphony Orchestra & Choir for Britten: War Requiem
• Best Classical Performance - Instrumental Soloist or Soloists (with orchestra)
• Erich Leinsdorf (conductor), Artur Rubinstein & the Boston Symphony Orchestra for Tchaikovsky: Piano Concerto No. 1 in B Flat Minor
• Best Classical Performance - Instrumental Soloist or Duo (without orchestra)
• Vladimir Horowitz for The Sound of Horowitz
• Best Classical Music Performance - Chamber Music
• Julian Bream for Evening of Elizabethan Music performed by the Julian Bream Consort
• Best Classical Composition by a Contemporary Composer
• Benjamin Britten (composer & conductor) & the London Symphony Orchestra for Britten: War Requiem
• Best Classical Album
• Benjamin Britten (conductor) & the London Symphony Orchestra for Britten: War Requiem
• Most Promising New Classical Recording Artist
• Andre Watts

Comedy

• Best Comedy Performance
• Allan Sherman for "Hello Mudduh, Hello Faddah"

Composing and arranging

• Best Instrumental Theme
• Riz Ortolani (composer) for "More - Theme From Mondo Cane"
• Best Original Score from a Motion Picture or Television Show
• John Addison (composer) for Tom Jones
• Best Instrumental Arrangement
• Quincy Jones (arranger) for "I Can't Stop Loving You" performed by Count Basie
• Best Background Arrangement
• Henry Mancini (arranger) for "Days of Wine and Roses"

Country

• Best Country & Western Recording
• Bobby Bare for "Detroit City"

Folk

• Best Folk Recording
• Peter, Paul and Mary for "Blowin' in the Wind"

Gospel

• Best Gospel or Other Religious Recording (Musical)
• Soeur Sourire for "Dominique"

Jazz

• Best Instrumental Jazz Performance - Soloist or Small Group
• Bill Evans for Conversations With Myself
• Best Instrumental Jazz Performance - Large Group
• Woody Herman for Encore: Woody Herman, 1963
• Best Original Jazz Composition
• Steve Allen & Ray Brown (composers) for "Gravy Waltz" performed by Steve Allen

Musical Show

• Best Score From an Original Cast Show Album
• Jerry Bock, Sheldon Harnick (composers) & the original cast (Barbara Cook, Jack Cassidy, Barbara Baxley, Daniel Massey, Nathaniel Frey, Ralph Williams & Jo Wilder) for She Loves Me

Packaging and Notes

• Best Album Cover - Classical
• Robert M. Jones (art director) for Puccini: Madama Butterfly conducted by Erich Leinsdorf
• Best Album Cover - Other Than Classical
• John Berg (art director) for The Barbra Streisand Album performed by Barbra Streisand
• Best Album Notes
• Stanley Dance & Leonard Feather (notes writers) for The Ellington Era performed by Duke Ellington

Pop

• Best Vocal Performance, Female
• Barbra Streisand for The Barbra Streisand Album
• Best Vocal Performance, Male
• Jack Jones for "Wives and Lovers"
• Best Performance by a Vocal Group
• Peter, Paul and Mary for "Blowin' in the Wind"
• Best Performance by a Chorus
• Ward Swingle for Bach's Greatest Hits performed by the Swingle Singers
• Best Performance by an Orchestra - for Dancing
• Count Basie for This Time by Basie! Hits of the 50's and 60's
• Best Performance by an Orchestra or Instrumentalist with Orchestra, Not for Jazz or Dancing
• Al Hirt for "Java"
• Best Rock and Roll Recording
• April Stevens & Nino Tempo for "Deep Purple"

Production and engineering

• Best Engineered Recording - Other Than Classical
• James Malloy (engineer) for Charade performed by Henry Mancini
• Best Engineered Recording - Classical
• Lewis W. Layton (engineer), Erich Leinsdorf (conductor) & the RCA Italiana Opera Orchestra for Puccini: Madama Butterfly
• Best Engineered Recording - Special or Novel Effects
• Robert Fine (engineer) for Civil War Vol. II performed by Frederick Fennell

R&B

• Best Rhythm & Blues Recording
• Ray Charles for "Busted"

Spoken

• Best Documentary, Spoken Word or Drama Recording (other than comedy)
• Edward Albee (playwright) for Who's Afraid of Virginia Woolf? performed by Melinda Dillon, George Grizzard, Uta Hagen & Arthur Hill

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