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Edita Gruberovaleft Edita Gruberov (born December 23, 1946, Bratislava) is a Slovak opera singer who is one of the most acclaimed coloraturas of recent decades. She is noted for her great tonal clarity, agility, and ability to sing high notes with great power, making her an ideal Queen of Night in her early years. In recent years, she has enjoyed great success with a number of the important bel canto roles. Gruberov was born in Bratislava, now in Slovakia, the daughther of a Hungarian mother and a father with German ancestors. Her native language is Slovak. She began her musical studies at Bratislava Conservatory where she was a student of Mria Medveck. She then continued at Bratislava's Academy of Music and Dramatic Arts (Vysok škola muzickch umen). While studying, she was a singer of the famous Lčnica folk ensemble and also appeared several times in the Slovak National Theatre. In 1968, Gruberov made her operatic debut in Bratislava as Rosina in The Barber of Seville. After winning a singing contest in Toulouse, she was then engaged as a soloist of the opera ensemble of the J. G. Tajovsk Theatre in Bansk Bystrica, Slovakia, from 1968 to 1970. Since communist Czechoslovakia was going through a period called Normalization, during which the borders were closed with non-communist countries, Medveck surreptitiously arranged for a audition for Gruberov in the summer of 1969 at Vienna State Opera, which immediately engaged her. The following year, she made first major breakthrough when she sang Queen of Night. Gruberov then also made the decison to emmigrate to the West. In subsequent years, she became a soloist in Vienna and was invited to sing at many of the most important opera houses in the world, especially in coloratura roles. Gruberov made her debut at Glyndebourne in 1974 and at the Metropolitan Opera in 1977, both as the Queen of Night. In 1977, she also first appeared at the Salzburg Festival, as Thibault in Don Carlo, under Herbert von Karajan. Gruberov made her Royal Opera House, Covent Garden dbut as Giulietta in Bellini's I Capuleti e i Montecchi in 1984. Other important roles she has sung have been Zerbinetta, Gilda, Violetta, Lucia, Konstanze, Manon and Oscar; She sang Donna Anna at La Scala in 1987; Marie in La fille du rgiment in 1987, and Semiramide in 1992 at Zürich; and Queen Elizabeth I in Donizetti's Roberto Devereux in Vienna in 1990. Like another notable coloratura before her, Beverly Sills, Gruberov has expanded her repertoire in recent years, as her voice has darkened, to include such heavier bel canto roles as Maria Stuarda and Anna Bolena. Lacking the dramatic chest tones of other sopranos who have assayed these roles, Gruberov compensates with great expressiveness and dramatic impact, for which she has attracted many admirers. Gruberov has made many recordings, most notably in recent years full-length recordings and extended selections from Donizetti's Tudor Queens trilogy and other bel canto operas. External links Gruberova Gruberova Gruberova Gruberova, Edita Gruberova, Edita
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