Culture Industry

Cultural industry The culture industry is a term used to describe the nature of the social, economic and political structures that are proposed by Theodor Adorno and Max Horkheimer. The theory basically states that our culture not only mirrors our society but takes an important role in shaping it through the process of standardisation and commodification, creating objects rather than subjects. His theories stand in stark contrast to much of Postmodernism, denying that modern commercial culture is as valid as that which preceded it, as it creates an atmosphere which serves to reinforce the statu quo through creating false needs and a "fetish character" to culture rather than one which actually tries to question beliefs and ideologies. The product of this culture industry is one that is designed to fill the leisure time of the audience. Adorno lambasts the notion of "free time" which he sees as the opposite of leisure, and the idea of hobbies being an affront to genuine interests. Critics of the theory say that the products of mass culture would not be popular if people did not enjoy it, and that culture is self-determining in its administration. However, the concept heavily influenced intellectual discourse on popular culture and scholarly popular culture studies.

 

<< PreviousWord BrowserNext >>
ifk gteborg
uss haddock (ssn 621)
uss guardfish (ssn 612)
de boor algorithm
colorado state university
baron thurlow
elizabeth anania edwards
baron kenyon
hartree fock
baron auckland
the eye of argon
arthur rackham
sanday, orkney
knut vollebk
macbird
welsh hat
pparc
carrancas
xenophon of ephesus
pratt & whitney r 4360
semey
lothar matthus
fedora project
governor general of pakistan
oscillation (mathematics)
bob feller
lloyd robertson
miyazawa rie
dunton
baron braybrooke
phasianus
sarov
flag of the gambia
easington (disambiguation)
baron bolton
baron rodney
horse whisperer
branded to kill
curt flood
michael v. hayden
disk array
coat of arms of the gambia
51st state
kenneth a. minihan