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Charles CollCharles Coll (1709 - November 3, 1783), was a French dramatist and songwriter. The son of a notary, he was born at Paris. He became interested in the rhymes of Jean Heguanier, the most famous writer of couplets in Paris. From a notary's office Coll was transferred to that of the receiver-general of finance, where he remained for nearly twenty years. When about seventeen, however, he made the acquaintance of Alexis Piron, and afterwards, through Gallet (1698?-1757), of Panard. The example of these three masters of the vaudeville decided his future but also made him diffident; and for some time he composed nothing but amphigouris--verses whose merit was measured by their unintelligibility. The friendship of the younger Crbillon helped broaden his horizons, and the establishment in 1729 of the famous "Caveau" gave him a field for the display of his fine talent for popular song. In 1739 the Society of the Caveau, which numbered among its members Helvtius, Charles Pinot Duclos, Pierre Joseph Bernard, called Gentil-Bernard, Jean-Philippe Rameau, Alexis Piron, and the two Crbillons, was dissolved, and was not reconstituted till twenty years afterwards. His first and his best comedy, La Vrit dans le vin, appeared in 1747. Meanwhile, Philippe II of Orlans, who was an excellent comic actor, particularly in representations of low life, and had been looking out for an author to write suitable parts for him, made Coll his reader. It was for the duke and his associates that Coll composed the greater part of his Thtre de socit. In 1763 Coll produced at the Thtre Franais Dupuis et Desronais, a successful sentimental comedy, which was followed in 1771 by La Veuve, which was a complete failure. In 1774 appeared La Partie de chasse de Henri Quatre (partly taken from Dodsley's King and the Miller of Mansfield), Coll's last and best play. From 1748 to 1772, besides these and a multitude of songs, Coll was writing his Journal, a curious collection of literary and personal strictures on his boon companions as well as on their enemies, on Piron as on Voltaire, on La Harpe as on Pierre Corneille. Coll's lyrics are frank and jovial, though often licentious. The subjects are love and wine; occasionally, however, as in the famous lyric (1756) "On the capture of Port Mahon", for which the author received a pension of 600 livres, the note of patriotism is struck with no unskilful hand, while in many others Coll shows considerable epigrammatic force. See also H Bonhomme's edition (1868) of his Journal et Mmoires (1748-1772); Grimm's Correspondance; and CA Sainte-Beuve, Nouveaux lundis, vol. vii. Coll, Charles Coll, Charles
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