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Benot-constant CoquelinBenot-Constant Coquelin (January 23, 1841 - January 27, 1909), French actor, known as Coquelin aine, was born at Boulogne. He was originally intended to follow his father's trade of baker (he was once called "un boulanger manque" by a hostile critic), but his love of acting led him to the Conservatoire, where he entered Rgnier's class in 1859. He won the first prize for comedy within a year, and made his dbut on December 7, 1860 at the Comdie Franaise as the comic valet, Gros-Rene, in Molire's Depit amoureux, but his first great success was as Figaro, in the following year. He was made societaire in 1864, and during the next twenty-two years he created at the Francois the leading parts in forty-four new plays, including Theodore de Banville's Gringoire (1867), Paul Ferrier's Tabarin (1871), Emile Augier's Paul Forestier (1871), L'Etrangere (1876) by the younger Dumas, Charles Lomon's Jean Dacier (1877), Edward Pailleron's Le Monde on l'on s'ennuie (1881), Erckmann and Chatrian's Les Rantzau (1884). In consequence of a dispute with the authorities over the question of his right to make provincial tours in France he resigned in 1886. Three years later, however, the breach was healed; and after a successful series of tours in Europe and the United States he rejoined the Comdie Franaise as pensionnaire in 1890. It was during this period that he took the part of Labussiere, in the production of Sardou's Thermidor, which was interdicted by the government after three performances. In 1892 he broke definitely with the Comdie Franaise, and toured for some time through the capitals of Europe with a company of his own. In 1895 he joined the Renaissance theatre in Paris, and played there until he became director of the Porte Saint Martin in 1897. Here he won successes in Edmond Rostand's Cyrano de Bergerac (1897), Emile Bergerac's Plus que rein (1899),' Catulle Mends's Scarron (1905), and Alfred Capus and Lucien Descaves' L'Attentat (1906). In 1900 he toured in America with Sarah Bernhardt, and on their return continued with his old colleague to appear in L'Aiglon, at the Thtre Sarah Bernhardt. He was rehearsing for the creation of the leading part in Rostand's Chanteder, which he was to produce, when he died suddenly in Paris, on the 27th of January 1909. His brother, Ernest was also an actor. Coquelin was an Officier de l'Instruction Publique and of the Legion of Honour. He published: - L'Art et le comedien (1880)
- Molire et le misanthrope (1881)
- essay on Eugne Manuel (1881)
- essay on Sully-Prudhomme (1882)
- L'Arnolphe de Moliere (1882)
- Les Comediens (1882)
- L'Art de dire le monologue (with his brother, 1884)
- Tartuffe (1884)
- L'Art du comedien (1894)
Coquelin Coquelin Coquelin
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