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Scientific Pitch NotationScientific Pitch Notation in music is a method of naming the notes of the standard western chromatic scale by appending a number identifying each octave, so that each note is unambiguously defined according to its fundamental frequency. Example: A4 is the A above middle C, and has a fundamental frequency of 440.00 Hz. This notation is useful, for example, when describing the written pitch and sounding pitch of a transposing instrument. | requency (Hz) | Note name | Octave number | minus;48 | 16,35 | C | 0 | minus;47 | 17,32 | C# | 0 | minus;46 | 18,35 | D | 0 | minus;45 | 19,45 | D# | 0 | minus;44 | 20,60 | E | 0 | minus;43 | 21,83 | F | 0 | minus;42 | 23,12 | F# | 0 | minus;41 | 24,50 | G | 0 | minus;40 | 25,96 | G# | 0 | minus;39 | 27,5 | A | 0 | minus;38 | 29,14 | A# | 0 | minus;37 | 30,87 | B | 0 | minus;36 | 32,70 | C | 1 | minus;35 | 34,65 | C# | 1 | minus;34 | 36,71 | D | 1 | minus;33 | 38,89 | D# | 1 | minus;32 | 41,20 | E | 1 | minus;31 | 43,65 | F | 1 | minus;30 | 46,25 | F# | 1 | minus;29 | 49,00 | G | 1 | minus;28 | 51,91 | G# | 1 | minus;27 | 55 | A | 1 | minus;26 | 58,27 | A# | 1 | minus;25 | 61,74 | B | 1 | minus;24 | 65,41 | C | 2 | minus;23 | 69,30 | C# | 2 | minus;22 | 73,42 | D | 2 | minus;21 | 77,78 | D# | 2 | minus;20 | 82,41 | E | 2 | minus;19 | 87,31 | F | 2 | minus;18 | 92,50 | F# | 2 | minus;17 | 98,00 | G | 2 | minus;16 | 103,8 | G# | 2 | minus;15 | 110 | A | 2 | minus;14 | 116,5 | A# | 2 | minus;13 | 123,5 | B | 2 | minus;12 | 130,8 | C | 3 | minus;11 | 138,6 | C# | 3 | minus;10 | 146,8 | D | 3 | minus;9 | 155,6 | D# | 3 | minus;8 | 164,8 | E | 3 | minus;7 | 174,6 | F | 3 | minus;6 | 185,0 | F# | 3 | minus;5 | 196,0 | G | 3 | minus;4 | 207,7 | G# | 3 | minus;3 | 220 | A | 3 | minus;2 | 233,1 | A# | 3 | minus;1 | 246,9 | B | 3 | |261,6 |C |4 | |277,2 |C# |4 | |293,7 |D |4 | |311,1 |D# |4 | |329,6 |E |4 | |349,2 |F |4 | |370,0 |F# |4 | |392,0 |G |4 | |415,3 |G# |4 | |440 |A |4 | 0 | 466,2 | A# | 4 | 1 | 493,9 | B | 4 | 2 | 523,3 | C | 5 | 3 | 554,4 | C# | 5 | 4 | 587,3 | D | 5 | 5 | 622,3 | D# | 5 | 6 | 659,3 | E | 5 | 7 | 698,5 | F | 5 | 8 | 740,0 | F# | 5 | 9 | 784,0 | G | 5 | 0 | 830,6 | G# | 5 | 1 | 880 | A | 5 | 2 | 932,3 | A# | 5 | 3 | 987,8 | B | 5 | 4 | 1047 | C | 6 | 5 | 1109 | C# | 6 | 6 | 1175 | D | 6 | 7 | 1245 | D# | 6 | 8 | 1319 | E | 6 | 9 | 1397 | F | 6 | 0 | 1480 | F# | 6 | 1 | 1568 | G | 6 | 2 | 1661 | G# | 6 | 3 | 1760 | A | 6 | 4 | 1865 | A# | 6 | 5 | 1976 | B | 6 | 6 | 2093 | C | 7 | 7 | 2217 | C# | 7 | 8 | 2349 | D | 7 | 9 | 2489 | D# | 7 | 0 | 2637 | E | 7 | 1 | 2794 | F | 7 | 2 | 2960 | F# | 7 | 3 | 3136 | G | 7 | 4 | 3322 | G# | 7 | 5 | 3520 | A | 7 | 6 | 3729 | A# | 7 | 7 | 3951 | B | 7 | 8 | 4186 | C | 8 | 9 | 4435 | C# | 8 | 0 | 4699 | D | 8 | 1 | 4978 | D# | 8 | 2 | 5274 | E | 8 | 3 | 5588 | F | 8 | 4 | 5920 | F# | 8 | 5 | 6272 | G | 8 | 6 | 6645 | G# | 8 | 7 | 7040 | A | 8 | 8 | 7459 | A# | 8 | 9 | 7902 | B | 8 | 0 | 8372 | C | 9 | 1 | 8870 | C# | 9 | 2 | 9397 | D | 9 | 3 | 9956 | D# | 9 | 4 | 10548 | E | 9 | 5 | 11175 | F | 9 | 6 | 11840 | F# | 9 | 7 | 12544 | G | 9 | 8 | 13290 | G# | 9 | 9 | 14080 | A | 9 | 0 | 14917 | A# | 9 | 1 | 15804 | B | 9 | | -- | See also MIDI. http://www.dolmetsch.com/musictheory1.htm#uspitch
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