Grammy Awards Of 1986

Award winners:

• Record of the Year
• Quincy Jones (producer) for "We Are the World" performed by USA for Africa

• Album of the Year
• Hugh Padgham (producer) & Phil Collins (producer & artist) for No Jacket Required

• Song of the Year
• Lionel Richie & Michael Jackson (songwriters) for "We Are the World" performed by USA for Africa

• Best New Artist
• Sade

Blues

• Best Traditional Blues Recording
• B. B. King for "My Guitar Sings the Blues"

Children's

• Best Recording for Children
• Jim Henson & Steve Buckingham (producers) for Follow That Bird - Original Motion Picture Soundtrack performed by the Sesame Street cast

Classical

• Best Classical Orchestral Recording
• Robert Woods (producer), Robert Shaw (conductor) & the Atlanta Symphony Orchestra for Faur: Pelleas et Melisande
• Best Classical Vocal Soloist Performance
• Robert Shaw (conductor), John Aler & the Atlanta Symphony Orchestra for Berlioz: Requiem
• Best Opera Recording
• James Mallinson (producer), Georg Solti (conductor), Philip Langridge, Franz Mazura & the Chicago Symphony Orchestra & Chorus for Schoenberg: Moses und Aron
• Best Choral Performance (other than opera)
• Robert Shaw (conductor) & the Atlanta Symphony Orchestra & Chorus for Berlioz: Requiem
• Best Classical Performance - Instrumental Soloist or Soloists (with orchestra)
• Andre Previn (conductor), Yo-Yo Ma & the London Symphony Orchestra for Elgar: Cello Concerto, Op. 85/Walton: Concerto for Cello & Orchestra
• Best Classical Performance - Instrumental Soloist or Soloists (without orchestra)
• Vladimir Ashkenazy for Ravel: Gaspard de la Nuit; Pavane Pour Une Infante Defunte; Valses Nobles et Sentimentales
• Best Chamber Music Performance
• Emanuel Ax & Yo-Yo Ma for Brahms: Cello and Piano Sonatas in E Minor and F
• Best Classical Contemporary Composition
• Andrew Lloyd Webber (composer), Sarah Brightman & Plcido Domingo for Lloyd Webber: Requiem
• Best Classical Album
• Robert Woods (producer), Robert Shaw (conductor), John Aler & the Atlanta Symphony Orchestra & Chorus for Berlioz: Requiem
• Best New Classical Artist
• Chicago Pro Musica

Comedy

• Best Comedy Recording
• Whoopi Goldberg for Whoopi Goldberg - Original Broadway Show Recording

Composing and arranging

• Best Instrumental Composition
• Jan Hammer (composer) for "Miami Vice Theme"
• Best Album of Original Score Written for a Motion Picture or a Television Special
• Marc Benno, Harold Faltermeyer, Keith Forsey, Micki Free, Jon Gilutin, Hawk, Howard Hewett, Bunny Hull, Howie Rice, Sharon Robinson, Dan Sembello, Sue Sheridan, Richard C. Theisen II & Allee Willis (composers) for Beverly Hills Cop performed by various artists
• Best Arrangement on an Instrumental
• Dave Grusin & Lee Ritenour (arrangers) for "Early A.M. Attitude"
• Best Instrumental Arrangement Accompanying Vocalist(s)
• Nelson Riddle (arranger) for "Lush Life" performed by Linda Ronstadt
• Best Vocal Arrangement for Two or More Voices
• Bobby McFerrin & Cheryl Bentyne (arrangers) for "Another Night in Tunisia" performed by The Manhattan Transfer

Country

• Best Country Vocal Performance, Female
• Rosanne Cash for "I Don't Know Why You Don't Want Me"
• Best Country Vocal Performance, Male
• Ronnie Milsap for "Lost in the Fifties Tonight (In the Still of the Night)"
• Best Country Performance by a Duo or Group with Vocal
• The Judds for Why Not Me
• Best Country Instrumental Performance (orchestra, group or soloist)
• Chet Atkins & Mark Knopfler for "Cosmic Square Dance"
• Best Country Song
• Jimmy L. Webb (songwriter) for "Highwayman" performed by Johnny Cash, Waylon Jennings, Kris Kristofferson & Willie Nelson

Folk

• Best Ethnic or Traditional Folk Recording
• Rockin' Sidney for "My Toot Toot"

Gospel

• Best Gospel Performance, Female
• Amy Grant for Unguarded
• Best Gospel Performance, Male
• Larnelle Harris for "How Excellent Is Thy Name"
• Best Gospel Performance by a Duo or Group, Choir or Chorus
• Larnelle Harris & Sandi Patti for "I've Just Seen Jesus"
• Best Soul Gospel Performance, Female
• Shirley Caesar for "Martin"
• Best Soul Gospel Performance, Male
• Marvin Winans for "Bring Back the Days of Yea and Nay"
• Best Soul Gospel Performance by a Duo or Group, Choir or Chorus
• The Winans for Tomorrow
• Best Inspirational Performance
• Jennifer Holliday for "Come Sunday"

Historical

• Best Historical Album
• John Pfeiffer (producer) for RCA/Met - 100 Singers - 100 Years performed by various artists

Jazz

• Best Jazz Vocal Performance, Female
• Cleo Laine for Cleo at Carnegie - The 10th Anniversary Concert
• Best Jazz Vocal Performance, Male
• Bobby McFerrin & Jon Hendricks for "Another Night in Tunisia"
• Best Jazz Vocal Performance, Duo or Group
• The Manhattan Transfer for Vocalese
• Best Jazz Instrumental Performance, Soloist
• Wynton Marsalis for Black Codes From the Underground
• Best Jazz Instrumental Performance, Group
• Wynton Marsalis for Black Codes From the Underground performed by the Wynton Marsalis Group
• Best Jazz Instrumental Performance, Big Band
• Bob Wilber & John Barry for The Cotton Club - Original Motion Picture Soundtrack
• Best Jazz Fusion Performance, Vocal or Instrumental
• David Sanborn for Straight To The Heart

Latin

• Best Latin Pop Performance
• Lani Hall for Es Facil Amar
• Best Tropical Latin Performance
• Eddie Palmieri for Solito
• Tito Puente for Mambo Diablo performed by Tito Puente & His Latin Ensemble
• Best Mexican-American Performance
• Vikki Carr for Simplemente Mujer

Musical Show

• Best Cast Show Album
• John McClure (producer), Jos Carreras & Kiri Te Kanawa for West Side Story

Music Video

• Best Music Video, Short Form
• Tom Trbovich (video director) & Quincy Jones (video producer) for "We Are the World - The Video Event" performed by USA For Africa
• Best Music Video, Long Form
• Bruce Gowers (video director) & Huey Lewis & the News for Huey Lewis & the News - The Heart of Rock 'n' Roll

Packaging and Notes

• Best Album Package
• John Kosh & Ron Larson (art directors) for Lush Life performed by Linda Ronstadt
• Best Album Notes
• Peter Guralnick (notes writer) for Sam Cooke Live at the Harlem Square Club, 1963

Polka

• Best Polka Recording
• Frank Yankovic for 70 Years of Hits

Pop

• Best Pop Vocal Performance, Female
• Whitney Houston for "Saving All My Love For You"
• Best Pop Vocal Performance, Male
• Phil Collins for No Jacket Required
• Best Pop Performance by a Duo or Group with Vocal
• Quincy Jones (producer) for "We Are the World" performed by USA for Africa
• Best Pop Instrumental Performance
• Jan Hammer for "Miami Vice Theme"

Production and engineering

• Best Engineered Recording, Non-Classical
• Neil Dorfsman (engineer) for Brothers in Arms performed by Dire Straits
• Best Engineered Recording, Classical
• Jack Renner (engineer), Robert Shaw (conductor) & the Atlanta Symphony Orchestra & chorus for Berlioz: Requiem
• Producer of the Year (Non-Classical)
• Hugh Padgham & Phil Collins
• Classical Producer of the Year
• Robert Woods

R&B

• Best R&B Vocal Performance, Female
• Aretha Franklin for "Freeway of Love"
• Best R&B Vocal Performance, Male
• Stevie Wonder for In Square Circle
• Best R&B Performance by a Duo or Group with Vocal
• Commodores for "Nightshift"
• Best R&B Instrumental Performance (Orchestra, Group or Soloist)
• Ernie Watts for Musician
• Best Rhythm & Blues Song
• Jeffrey Cohen & Narada Michael Walden (songwriters) for "Freeway of Love" performed by Aretha Franklin

Reggae

• Best Reggae Recording
• Jimmy Cliff for Cliff Hanger

Rock

• Best Rock Vocal Performance, Female
• Tina Turner for "One of the Living"
• Best Rock Vocal Performance, Male
• Don Henley for "The Boys of Summer"
• Best Rock Performance by a Duo or Group with Vocal
• Dire Straits for "Money for Nothing"
• Best Rock Instrumental Performance
• Jeff Beck for "Escape"

Spoken

• Best Spoken Word or Non-musical Recording
• Mike Berniker (producer) & the original Broadway cast for Ma Rainey's Black Bottom

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