Giuseppe Verdi Compositions

Opera

• Oberto, Conte di San Bonifacio (17.11.1839 Teatro alla Scala, Milan). Opera in 2 acts, Temistocle Solera.
• Un giorno di regno (5.9.1840 Teatro alla Scala, Milan) finto Stanislao. Melodramma giocoso in 2 acts, Felice Romani, after the comedy Le Faux Stanislas by Alexandre Vincent Pineu-Duval.
• Nabucodonosor (9.3.1842 Teatro alla Scala, Milan) (Nabucco). Opera in 4 parts, Temistocle Solera, after the play Nabucodonosor by Anicet-Bourgeois and Francis Cornue.
• I lombardi alla prima crociata (11.2.1843 Teatro alla Scala, Milan). Opera in 4 acts, Temistocle Solera, after the poem of the same name by Tommaso Grossi.
• Ernani (9.3.1844 Teatro la Fenice, Venice). Opera in 4 acts, Francesco Maria Piave, after the play Hernani by Victor Hugo.
• I due Foscari (3.11.1844 Teatro Argentina, Rome). Opera in 3 acts, Francesco Maria Piave, after Lord Byron's play The Two Foscari.
• Giovanna d'Arco (15.2.1845 Teatro alla Scala, Milan). Opera in a prologue & 3 acts, Temistocle Solera, after Friedrich Schiller's drama Die Jungfrau von Orleans.
• Alzira (12.8.1845 Teatro San Carlo, Naples). Opera in a prologue and 2 acts, Salvatore Cammarano, after Voltaire's tragedy Alzire, ou les Américains.
• Attila (17.3.1846 Teatro la Fenice, Venice). Opera in a prologue & 3 acts, Temistocle Solera (and Francesco Maria Piave), after the play Attila, König der Hunnen by Zacharias Werner.
• Macbeth (14.3.1847 Teatro della Pergola, Florence). Opera in 4 acts, Francesco Maria Piave, after William Shakespeare's play.
• I masnadieri. (22.7.1847 Her Majesty's Theatre, London). Opera in 4 acts, Andrea Maffei, after Friedrich Schiller's drama Die Räuber.
• Jérusalem of I lombardi (26.11.1847 Académie Royale de Musique, Paris). Opera in 4 acts, Alphonse Royer & Gustave Vaëz.
• Il corsaro (25.10.1848 Teatro Grande, Trieste). Opera in 3 acts, Francesco Maria Piave, after Lord Byron's poem The Corsair.
• La battaglia di Legnano (27.1.1849 Teatro Argentina, Rome). Opera in 4 acts, Salvatore Cammarano, after the play La Battaille de Toulouse by Joseph Méry.
• Luisa Miller (8.12.1849 Teatro San Carlo, Naples). Opera in 3 acts, Salvatore Cammarano, after Friedrich Schiller's drama Kabale und Liebe.
• Stiffelio (16.11.1850 Teatro Grande, Trieste). Opera in 3 acts, Francesco Maria Piave, after the play Le Pasteur, ou L'Ivangile et le Foyer by Émile Souvestre and Eugène Bourgeois.
• Rigoletto (11.3.1851 Teatro la Fenice, Venice). Opera in 3 acts, Francesco Maria Piave, after the drama Le Roi s'amuse by Victor Hugo.
• Il Trovatore (19.1.1853 Teatro Apollo, Rome). Opera in 4 acts, Salvatore Cammarano (and Leone Emanuele Bardare), after the play El Trovador by Antonio García Gutiérrez.
• La traviata (6.3.1853 Teatro la Fenice, Venice). Opera in 4 parts, Francesco Maria Piave, after the play La Dame aux camélias by Alexandre Dumas, fils
• Les vêpres siciliennes (13.6.1855 Académie Impériale de Musique, Paris). Grand opera in 5 acts, Eugène Scribe & Charles Duveyrier, after their libretto Le Duc d'Albe
• Giovanna de Guzman (I vespri siciliani) of Les vêpres siciliennes (26.12.1855 Teatro Regio, Parma). Eugène Scribe & Eugenio Caimi.
• Simon Boccanegra (12.3.1857 Teatro la Fenice, Venice). Opera in a prologue and 3 acts, Francesco Maria Piave (and Giuseppe Montanelli), after the play Simon Bocanegra by Antonio García Gutiérrez.
• Aroldo of Stiffelio (16.8.1857 Teatro Nuovo, Rimini). Opera in 4 parts, Francesco Maria Piave
• Un ballo in maschera (17.2.1859 Teatro Apollo, Rome) Opera in 3 acts, Antonio Somma, after Eugène Scribe's libretto Gustave III.
• La forza del destino (10.11.1862 Bolshoy Kamennïy Teatr, St. Petersburg). Opera in 4 acts, Francesco Maria Piave, (and Andrea Maffei) after the play Don Alvaro, o La Fuerza del sino by Angel de Saavedra, Duke of Rivas, and Schiller's drama Wallensteins Lager.
• Macbeth rev (19.4.1865 Théâtre Lyrique, Paris).
• Don Carlos (11.3.1867 Académie Impériale de Musique, Paris) Grand opera in 5 acts, Joseph Méry & Camille du Locle, after Friedrich Schiller's dramatic poem Don Carlos, Infant von Spanien
• La forza del destino rev (27.2.1869 Teatro alla Scala, Milan). Libretto additions by Antonio Ghislanzoni
• Aida (24.12.1871 Opera House, Cairo). Opera in 4 acts, Antonio Ghislanzoni, from a scenario by Auguste Mariette. Composed to commemerate the opening of the Suez Canal.
• Don Carlo of Don Carlos (1872, Naples). Translation by Achille de Lauzières, with additions by Antonio Ghislanzoni.
• Simon Boccanegra rev (24.3.1881 Teatro alla Scala, Milan). Libretto additions and changes by Arrigo Boito.
• La force du destin of La forza del destino (14.3.1883, Antwerp). Libretto translated and adapted by Charles Nuitter & Camille du Locle.
• Don Carlo 2 of Don Carlos (10.1.1884 Teatro alla Scala, Milan). Opera in 4 acts.
• Don Carlo 3 of Don Carlos (29.12.1886, Modena). Opera in 4 acts.
• Otello (5.2.1887 Teatro alla Scala, Milan). Opera in 4 acts, Arrigo Boito, after William Shakespeare's Othello.
• Falstaff (9.2.1893 Teatro alla Scala, Milan). Opera in 3 acts, Arrigo Boito, after William Shakespeare's Falstaff and Henry IV, (1 & 2).

Songs

• Sei Romanze (1838)
1. Non t'accostar all'urna (Jacopo Vittorelli)
2. More, Elisa, lo stanco poeta (Tommaso Bianchi)
3. In solitaria stanza (Vittorelli)
4. Nell' orror di note oscura (Carlo Angiolini)
5. Perduta ho la pace (trans. by Luigi Balestra from Goethe's Faust)
6. Deh, pietoso, o addolorata (trans. by Balestra from Goethe's Faust)
• L'esule (1839) (Temistocle Solera)
• La seduzione (1839) (Balestra)
• Guarda che bianca luna: notturno (1839) (Vittorelli)--For soprano, tenor, bass and flute and flute obbligato
• Album di Sei Romanze (1845)
1. Il tramonto (Andrea Maffei)
2. La zingara (S. Manfredo Maggioni)
3. Ad una stella (Maffei)
4. Lo Spazzocamino (Maggioni)
5. Il Mistero (Felice Romani)
6. Brindisi (Maffei)
• Il poveretto (1847) (Maggioni)
• L'Abandonée (1849) (Escudier?)
• Stornello (1869) (annon.)
• Pietà Signor (1894) (Verdi and Boito)

Sacred Works

• Requiem (22.5.1874, Church of San Marco, Milan): mass in memory of Alessandro Manzoni, for four solo voices, chorus, and orchestra
• Pater noster (1873): for 5-part chorus
• Ave Maria (1880): for soprano and strings
• Quattro Pezzi sacri (7.4.1898, Grande Opéra, Paris):
• Ave Maria: for mixed chorus
• Stabat Mater: for mixed chorus
• Laudi alla Vergine Maria: for female chorus
• Te Deum: for double chorus and orchestra

Other Works

• Suona la tromba (1848) (Giuseppe Mameli), a patriotic hymn
• Inno delle Nazioni (1862, London) (Boito), for tenor, chorus and orchestra
• String Quartet in E minor (1873)

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