Dance To The Music (Song)

align="center" bgcolor="yellow" colspan="3"|"Dance to the Music"
lign="center" bgcolor="yellow" colspan="3"|Single by Sly & the Family Stone
lign="center" colspan="3"|From the album Dance to the Music
lign="left" valign="top"|B-side colspan="2" valign="top"|"Let Me Hear It From You"
lign="left" valign="top"|Single Released colspan="2" valign="top"|1968
lign="left" valign="top"|Single Format colspan="2" valign="top"|vinyl record (7" 45 RPM)
lign="left" valign="top"|Recorded colspan="2" valign="top"|1967
lign="left" valign="top"|Genre colspan="2" valign="top"|Psychedelic/Soul/Funk
lign="left" valign="top"|Song Length colspan="2" valign="top"|3:00
lign="left" valign="top"|Record label colspan="2" valign="top"|Epic Records
5-10256
lign="left" valign="top"|Producer colspan="2" valign="top"|Sly Stone
lign="left" valign="top"|Chart positions colspan="2" valign="top"|8 (US) 9 (R&B)
gcolor="yellow" colspan="3"|Sly & the Family Stone single chronology
align="top"|"Underdog"
1967
valign="top"|"Dance to the Music"
1968
valign="top"|"Life"
1968
"Dance to the Music" is a 1968 hit single by the influential soul/rock/funk band Sly & the Family Stone for the Epic/CBS Records label. It was the first single by the band to reach the Billboard Hot 100 Top 10, peaking at #8 and the first to popularize the band's sound, which would be emulated throughout the black music industry and dubbed "psychedelic soul".

History

Reluctance to a pop sound

Notably, none of the band members particularly liked "Dance to the Music" when it was first released and recorded. It, and the accompanying Dance to the Music LP were made at the insistence of CBS Records executive Clive Davis, who wanted something more commercially palpable than the band's 1967 LP, A Whole New Thing. Bandleader Sly Stone crafted a formula, blending the band's distinct psychedelic rock leanings with a more pop-friendly sound, resulting in what saxophonist Jerry Martini called "glorified Motown beats. to the Music' was such an unhip thing for us to do."

About the song

However, "Dance to the Music" did what it was supposed to do: it launched Sly & the Family Stone into the pop consciousness. Even toned down for pop audiences, the band's radical sound caught many music fans and fellow recording artists completely off guard. "Dance to the Music" featured four co-lead singers, black musicians and white musicians in the same band (segregation had just been repealed four years prior), and a distinct blend of instrumental sounds: rock guitar riffs from Sly's brother Freddie Stone, a funky bassline from Larry Graham, Greg Errico's syncopated drum track, Sly's gospel-styled organ playing, and Jerry Martini and Cynthia Robinson on the horns. An unabashed party record, "Dance to the Music" opens with Robinson screaming to the audience, demanding that they "get on up...and dance to the music!" before the Stone brothers and Graham break into an acapella scat before the song's verses begin. The actual lyrics of the song are sparse and self-referential; the song serves as a Family Stone theme song of sorts, introducing Errico, Robinson, and Martini by name. After calling on Robinson and Martini for their solo, Sly tells the audience that "Cynthia an' Jerry got a message that says...", which Cynthia finishes: "All the squares go home!"

Widespread influence

"Dance to the Music" was one of the most influential songs of the late-1960s. The Sly & the Family Stone sound became the dominating sound in African-American pop music for the next three years, and many established artists, such as The Temptations and their producer Norman Whitfield, Diana Ross & the Supremes, The Impressions, The Four Tops, The Fifth Dimension, and War began turning out Family Stone-esque material. The Temptations, in fact, rode their first "Dance to the Music"-inspired single, "Cloud Nine", all the way to the Pop Top Ten and to a 1968 Grammy Award. This song and the later Family Stone singles also helped lead to the development of what is now known as funk music. In 1998, "Dance to the Music" was admitted into the Grammy Hall of Fame.

Credits

Sample

 

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